- #Zynaddsubfx plogue bidule how to serial number
- #Zynaddsubfx plogue bidule how to serial
- #Zynaddsubfx plogue bidule how to full
* A VIP tour and luncheon at the Museum of Making Music on Januwith Moog exhibition advisor Brian Kehew, Moog Foundation Executive Director Michelle Moog-Koussa, Moog Music Inc. * A private look at The Bob Moog Archives in Asheville, North Carolina with The Bob Moog Foundation Executive Director Michelle Moog-Koussa and Mike Adams, President/CEO of Moog Music Inc. "The Museum will be hosting an opportunity drawing to win one of several great prizes donated by Moog Music, Inc., The Bob Moog Foundation, the Museum of Making Music, George Duke and others: Boop-squawk sound design, old-school style." "Larry the O improvising on an ARP 2500 sample-and-hold patch. Are you experienced? Have you ever been experienced? Well, I have." "Part 2 of 2 of Larry the O improvising on an ARP 2500 modulation patch.
![zynaddsubfx plogue bidule how to zynaddsubfx plogue bidule how to](https://www.plogue.com/bidule/help/img/connect.gif)
A sound design session from the boop-squawk school." "Part 1 of 2 of Larry the O improvising on an ARP 2500 modulation patch. "Larry the O gives a tour of his ARP2500, including how he purchased it at the ARP auction."
#Zynaddsubfx plogue bidule how to serial
On request I can provide an Excel doc containing The Gory Details: serial numbers, CMS service specifics, patching details for the outer slots." Included are an original, print Owner’s Manual, a CD containing PDFs of all the circuits and parts (though you really should have Phil do any work on it), and a cabinet extension cable. It’s the real deal:ġ045 Voltage-Controlled Voice (this thing is The S**t)Ĭlick “Buy It Now” and get an additional 1006 Filtamp, also just back from service by CMS! This is one sweeeeet system, the likes of which you are not likely to see again.
#Zynaddsubfx plogue bidule how to full
Needless to say, I cherry-picked a beautiful configuration to keep as my final remnant: four VCOs, two VCFs, two VCAs, four envelope generators, sample/hold, noise generators.įor the full auction story and a listening tour of this instrument, copy and paste these links to see my YouTube videos
![zynaddsubfx plogue bidule how to zynaddsubfx plogue bidule how to](https://cdn.thingiverse.com/assets/ef/3e/24/2e/fc/featured_preview_bidule_v1.png)
Five of the modules and the cabinet sport ARP’s earliest logo (the “squishy lines”), while the rest have the “treble clef” logo.
#Zynaddsubfx plogue bidule how to serial number
The original serial number tag identifies it as being the 45th cabinet made in 1970 (70-045).
![zynaddsubfx plogue bidule how to zynaddsubfx plogue bidule how to](https://support.zylia.co/wp-content/uploads/2020/06/bidule-recording_conf.jpg)
The cabinet resided in ARP’s Engineering Department, where it was used for prototyping new modules. (See recent photo of QA tags below.) They have seen very little use over the last 30 years (the QA tags are stamped with 1975 dates). These modules were still wrapped in plastic with QA tags attached when I got them. This extremely rare and primo system is the last of more than 100 modules and eight cabinets I personally purchased from the auction at the ARP factory when the company went out of business back in 1981. Hell, it was the ARP 2500 that was used to call to the aliens in “Close Encounters of the Third Kind”! "The Who’s Pete Townshend and Led Zeppelin’s Jimmy Page were only two of the devotees of this legendary instrument. You will probably never, ever, see such a pristine and AFFORDABLE Arp 2500 for sale. It was fully serviced by Phil at CMS just now and is on eBay. He recently assembled them into a 'mini' Arp 2500 system built into a cabinet from the QA dept of ARP. The modules were, and remained, in plastic wrap with tags right off the QA line. The eBay listing tells the whole story- this Arp 2500 was purchased during ARP's bankruptcy auction, on site at ARP, by my friend Larry O. Via Steve: "This is a once in a lifetime chance to own an Arp 2500 without breaking the bank to do it. Simply a great instrument for creative use." Since all information was stored in a "volatile" RAM memory, everything was erased when the power was removed.
![zynaddsubfx plogue bidule how to zynaddsubfx plogue bidule how to](https://i.ytimg.com/vi/rk8uMgEP29o/hqdefault.jpg)
This unit had the capacity for three sequences that could either be played back independently or chained together to play in turn, but there was no means of permanent storage for anything loaded into the device. This was of great interest to composers who would prefer to play notes in from the piano keyboard, rather than having to painstakingly "tune in" one note at a time with a potentiometer. Although it was only a monophonic device, the attraction to this type of sequencer was that notes could be entere in both "real time" or "step time" from the synthesizer keyboard. Perfect for your SEM Two/Four/Eight Voice, MOOG, ARP synths! About 1975, Oberheim electronics introduced the DS-2a, a "Digital" sequencer capable of remembering one-hundred and fourty-four notes. "Up for sale is a piece of Tom Oberheim history! rarer than chicken lips!! Oberheim Digital Sequencer model DS-2A.